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Cross Stitch Patterns by Scarlet Quince ™ | Pattern List
Cross Stitch Patterns from Fine Art by Scarlet Quince
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Cross Stitch Patterns

Cross Stitch Pattern List

Cassatt-Cole

 
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Mary Cassatt
The Boating Party
Man, woman, and baby in a small yellow sailboat on a turquoise lake
A Cup of Tea
Two ladies visiting in a cozy room with a silver tea service nearby
The Bath
Mother washing her small daughter's feet in a basin
Two Children at the Seashore
Two little girls in dresses and pinafores playing in the sand by the sea
Young Woman Sewing in a Garden
A beautiful young women wearing a light blue dress concentrating on a dainty bit of sewing. She is seated in an iron garden chair in front of a bed of geraniums. Behind her is a steep path with dense trees and vegetation beyond. (Impressionist, 1880-2)
The Cup of Tea
A lady formally dressed for visiting in a pink satin dress trimmed with frothy white, a pink bonnet, and long white gloves seated in an armchair holding a cup of tea. Behind her, on a stand, is a planter filled with spring flowers. The model was the artist's sister, Lydia. (Impressionist, 1879)
 
Paul Cezanne
Mont St. Victoire
A pine frames a farming community at the foot of a mountain
Still Life
Green and red apples and green grapes with a white compote on a white cloth
 
Thomas Chambers
The Hudson Valley, Sunset
View from above the Hudson of river, bluffs, village and sunset
View of Cold Spring and Mount Taurus
The Hudson River winding between sharp hills, with many sailboats and a small village
 
William Merritt Chase
A Friendly Call
Two ladies wearing leg-o-mutton gowns (one with a veiled hat and parasol) visiting in an artistically decorated room with many framed pictures and fabric hangings, Japanese-inspired cushions, and a large gilt-framed mirror which increases the feeling of depth. See CHA002-S for a smaller version (fewer stitches, slightly less detail) of this pattern, or compare them side by side. (Impressionist, 1895)
A Friendly Call (smaller)
Two ladies wearing leg-o-mutton gowns (one with a veiled hat and parasol) visiting in an artistically decorated room with many framed pictures and fabric hangings, Japanese-inspired cushions, and a large gilt-framed mirror which increases the feeling of depth. See CHA002 for a larger version (more stitches, more detail) of this pattern, or compare them side by side. (Impressionist, 1895)
 
Eugene-Adolphe Chevalier
Still Life of Flowers and Fruits I
A wicker basket spilling over with ripe pears, apples, and blue, red, and white grapes and a melon. Just behind the basket is a bouquet of red, pink, and yellow roses, pink and white chrysanthemums, hollyhocks, morning glories, nasturtiums, and other flowers. In the background is a sketchily suggested woods and sunset. We also offer the companion Still Life of Flowers and Fruits II. See CHE001-S for a smaller version (fewer stitches, slightly less detail) of this pattern or compare them side by side. (1861)
Still Life of Flowers and Fruits I (smaller)
A wicker basket spilling over with ripe pears, apples, and blue, red, and white grapes and a melon. Just behind the basket is a bouquet of red, pink, and yellow roses, pink and white chrysanthemums, hollyhocks, morning glories, nasturtiums, and other flowers. In the background is a sketchily suggested woods and sunset. We also offer the companion Still Life of Flowers and Fruits II (smaller). See CHE001 for a larger version (more stitches, more detail) of this pattern, or compare them side by side. (1861)
Still Life of Flowers and Fruits II
A basket filled with ripe blushing peaches, and around it are red and yellow apples, a squash, red and white grapes, morning glories, daisies in white, yellow, and red, and other flowers. There is also a terra cotta jug in the form of a woman, and in the background is a vine-covered trellis. We also offer the companion Still Life of Flowers and Fruits I. See CHE002-S for a smaller version (fewer stitches, slightly less detail) of this pattern, or compare them side by side. (1864)
Still Life of Flowers and Fruits II (smaller)
A basket filled with ripe blushing peaches, and around it are red and yellow apples, a squash, red and white grapes, morning glories, daisies in white, yellow, and red, and other flowers. There is also a terra cotta jug in the form of a woman, and in the background is a vine-covered trellis. We also offer the companion Still Life of Flowers and Fruits I (smaller). See CHE002 for a larger (more stitches, more detail) version of this pattern, or compare them side by side. (1864)
 
Charles R. Chickering
8 Cent Liberty
The 1954 8-cent Statue of Liberty stamp. Lady Liberty is engraved in red, is surrounded by a white nimbus, and a cross-hatched blue background. This was a special stamp in its time, when the common 3-cent stamps were a single color. See CHI001-B for a version in which the nimbus around the Lady is not stitched. (1954)
8 Cent Liberty (without background)
The 1954 8-cent Statue of Liberty stamp. Lady Liberty is engraved in red, is surrounded by a white nimbus, and a cross-hatched blue background. This was a special stamp in its time, when the common 3-cent stamps were a single color. The nimbus around the status is not stitched. Use white fabric. See CHI001 for a version which is fully stitched (and does not have to be done on white fabric). (1954)
 
Ling Chu
Seated Cat
A black cat curled on a large rock with jonquils and peach blossoms
 
Frederic Edwin Church
Twilight in the Wilderness
The sun setting behind low hills is surrounded by a golden glow, and stains the streaked clouds a deep red which is reflected in a lake lying between the hills. In the foreground, gnarled trees frame the scene. (Hudson River School, 1860)
Sunset, Bar Harbor
The sun setting over the ocean at Bar Harbor, Maine. The sun has turned the lower sky and much of the harbor golden, with low red clouds above. There are a couple of small boats anchored in the harbor, and a bit of fence off to the right. (Hudson River School, 1854)
 
Pieter Claesz
Still Life with Turkey Pie
A still life of a table laid with a white cloth over a carpet and various food and drink. There is a turkey pie with the turkey in full feather atop it, a pewter pitcher, a tumbler of white wine, a goblet made from a nautilus shell, bread, lemons, mince pie, oysters on the half shell, olives, and a Delft dish of red and white grapes with leaves, and apples. See CLA001-D for a chart of a portion of this painting. (Baroque Era, 1627)
Still Life with Turkey Pie (detail)
A still life of a table laid with a white cloth over a carpet and various food and drink. There is a pewter pitcher, a tumbler of white wine, bread, lemons, mince pie, and olives. This is a portion of the full painting; see CLA001 for the full painting. (Baroque Era, 1627)
Vanitas Still Life
A still life symbolizing the impermanance of all things ("vanitas" refers to Ecclesiastes, "Vanitas vanitatum omnia vanitas" -- "Vanity of vanities, all is vanity"). The extinguished candle, the watch that has run down, the overturned wine glass, and of course the skull all point to the brevity of life. The closed book with the pen set aside may be one more symbol of things ending, or it may indicate the hope that written knowledge can transcend the life of one individual. (1630)
 
Thomas Cole
Subsiding of the Waters of the Deluge
Flood waters pouring off rocky crags, leaving behind debris including a skull

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